1. Instagram
  2. TikTok
  3. YouTube

    Now reading: margaret howell: why go the fastest when you can go the furthest?

    Share

    margaret howell: why go the fastest when you can go the furthest?

    Ahead of its 50th anniversary next year, the classic British brand proved it’s still refreshingly, globally resonant.

    Share

    Margaret Howell and Stormzy aren’t two British names you hear uttered in the same breath often. Or at all. Both are considered legends in their respective fields, sure, but neither have riffed off one another as far as I can tell. Listening to Stormzy’s recent single before the show yesterday, however, I couldn’t help but notice a parallel: “They go the fastest, I go the furthest” he raps. What could exemplify the Margaret Howell approach more?

    Season upon season, the brand develops its aesthetic just enough to feel new without ever straying from a very precise vision. Existing outside the churn of designers morphing and mutating into new propositions with every season, Margaret Howell feels more like an ideology than it does a label at this point. To buy into the brand is to embody the qualities of patience, discipline, precision. And with stores all over the world, including over 100 in Japan, it’s one with global resonance.

    For spring/summer 20, they presented a blend of sharp, traditional and often unisex staples. Enlarged shirts, cinched waists, neutral colours, neckerchiefs, beanie hats, leather sandals, V-necks… This felt like the uniform of a wearer that rejects passing trends but wants to remain modern and fashion-forward.

    Celebrating its 50th anniversary next year, why go fast when you can enjoy half a century of success instead?

    1568634003369-SS20C-MHowell-009
    1568634011523-SS20C-MHowell-017
    1568634019966-SS20C-MHowell-023
    1568634028483-SS20C-MHowell-033
    1568634037439-SS20C-MHowell-039
    1568634046726-SS20C-MHowell-045
    1568634056230-SS20C-MHowell-049
    1568634065538-SS20C-MHowell-057
    1568634074780-SS20C-MHowell-069

    Credits


    Photography Mitchell Sams

    Loading