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    Now reading: The 35 most stylish films of all time

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    The 35 most stylish films of all time

    From 'Clueless' to 'A Clockwork Orange', we choose 35 of the best-looking, beautifully dressed films out there.

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    1. A Clockwork Orange, 1971

    Malcolm McDowell plays mad bastard and head of the Droogs in a derby hat, suspenders and bootboy look that has permeated through pop culture in the 50 years since. Jean Paul Gaultier said the film changed his life; Heath Ledger’s Joker was inspired by Malcolm’s Alex DeLarge; and Kylie Minogue once did an onstage homage called er, Droogie Nights.

    2. Trainspotting, 1996

    No 90s student house was complete without a poster of Trainspotting‘s ‘neds’ (non educated delinquents) headed by a skinny, wrecked and soaking wet Ewan McGregor. Britpop found its style encapsulated on the big screen.

    3. Breathless, 1959

    Jean-Luc Godard’s early French New Wave film gave every Manic Pixie Dream Girl fantasist the perfect template in Jean Seberg. Her short crop hair, ballet pumps, black pegged pants and Breton stripes, like this classic film, have endured.

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    4. Stranger Than Paradise, 1984

    Textbook stuff for anyone wanting to emulate 80s Lower East Side hipster style. The fact director Jim Jarmusch didn’t employ a costume designer helped create the film’s grungy, authentic aesthetic.

    5. Quadrophenia, 1979

    It was Mods against Rockers in one of the iconic style statements of British cinema. Their uniforms of sharp suits, skinny ties and parkas were the original British teen style tribe.

    6. Rushmore, 1998

    The one where Wes Anderson makes even a school uniform look tight.

    7. La Dolce Vita, 1960

    More than just that fountain scene, Fellini’s masterpiece was inspired by the beauty that masked the moral decay of post-war Italy. Still, all that hedonism looked beautifully debauched.

    8. American Gigolo, 1980

    Richard Gere played the hustler but American Gigolo really sold the dream of conspicuous consumption in costume designer Giorgio Armani‘s classy, simple cuts.

    9. Reservoir Dogs, 1992

    Quentin Tarantino makes the two-piece suit synonymous with a bunch of rogue ex-cons. Harvey Keitel’s was a gift from Agnes B, the rest were vintage finds.

    10. Blow-Up, 1966

    Photographer David Bailey’s world was the inspiration for this definitive, drugged up vision of Swinging London. It “put sex into fashion”, according to art historian Colin McDowell.

    11. In the Mood for Love, 2000

    Wong Kar Wai‘s highly stylised romantic masterpiece made actress Maggie Cheung‘s costume changes an integral part of the scene. Her hair took four hours, her exquisite Chinese qipaos were custom made and stole the show.

    12. Drive, 2011

    A contemporary male style icon was born in Ryan Gosling who, channelling Drive‘s seriously stylish 80s noir vibes, gave white satin bomber jackets and double denim a good name.

    13. A Single Man, 2009
    Tom Ford showed the world exactly how a fashion designer would kit out an entire film — gorgeously, as it turned out.

    14. Fight Club, 1999

    For rubbishing the idea of Ikea as a style ideal and for giving us all a ripped-to-shit style icon in shirtless Brad Pitt.

    15. Boyz in the Hood, 1991

    This coming of age tale set in South Central L.A. marked a new wave of Black cinema and helped — with baggy jeans, high waisted trousers and colours that pop — define the hip-hop aesthetic of the time.

    16. Kids, 1995

    For Kids‘ 20th anniversary, Supreme launched a capsule collection of tees, hoodies and skater wear — testament that Larry Clark film’s street style lives as long as its notoriety.

    17. Do the Right Thing, 1989

    Director Spike Lee wrote of Do the Right Thing‘s aesthetic: “the look of the film should be bright… almost blinding AFROCENTRIC bright!” It was a look widely copied in pop culture like The Fresh Prince of Bel Air.

    18. La Haine, 1995

    Paris style stereotypes implode in this landmark piece of French cinema. Set in the city’s banlieues, La Haine‘s youth gangs wear uniforms of Everlast and hi-tops, inspired more by American hip-hop than Parisian catwalks.

    19. Rosemary’s Baby, 1868

    A late 60s fashion high watermark as Mia Farrow plays it innocent in baby doll dresses and Peter Pan collars. The style amplified the film’s central theme of childlike innocence in the face of true horror.

    20. The Virgin Suicides, 1999

    Sofia Coppola evokes an American girlhood in the 70s in her signature dreamlike style. It’s a film that’s been cited as an influence by the director’s collaborators like Marc Jacobs as well as Tavi Gevinson.

    21. Annie Hall, 1977
    Diane Keaton’s boyish wardrobe in this Woody Allen Manhattan romance was credited with putting androgyny back on the style map in late 70s America. The look, like the film, is a thing of smart, swoonsome beauty.

    22. Withnail & I, 1987

    Centred on two out of work actors who lather on Deep Heat to keep themselves from freezing in a Camden bedsit, Withnail’s lived-in tweed and foppish white shirts have been the stuff of fashion and pop cultural inspiration for everyone from Margaret Howell to the Libertines.

    23. Wall Street, 1987
    Blocky suits, padded shoulders and brash colors: the men of Oliver Stone’s last 80s classic went on to influence the style of the real wankers, sorry bankers, of Wall Street.

    24. Christiane F, 1981
    Subtitled We Children from Bahnhof Zoo, this dramatization of real life teen addiction and prostitution in 1970s West Berlin is harrowing stuff but it’s also a compelling documentation of the city’s youth style, soundtracked by David Bowie.

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    25. Heathers, 1988
    Extreme 80s power dressing hits high school in Heathers, a lesson in how tell your story through color and clothing. Each member of Heathers owns a color according to her social standing while the wider school hierarchy is evoked through the tribal uniforms of mean girls, jocks and spec wearing nerds.

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    26. Grey Gardens, 1975
    A documentary, but one that qualifies on the strength of strange, elegant ‘Little’ Edie’s outfits alone. She made the headscarf her own, even in her hermitic world of a crumbling East Hamptons mansion.

    27. Paris is Burning, 1980
    Paris is Burning was about style rulebreakers: the disenfranchised young, black and Latinos queer community of Harlem subjugating the fashion and social codes of white, empowered, straight America.

    28. Clueless, 1995
    Totally buggin’ in 53 types of plaid.

    29. Blade Runner, 1982
    The future looked like a rain soaked hell but a hell we all wanted a slice of, as Ridley Scott’s Blade Runner went on to influence everything from architecture to fashion, advertising and design.

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    30. The Fifth Element, 1997
    Gaultier lets mad fashion rip in a film that blasts away dour depictions of the future. Director Luc Besson’s instruction to Gaultier on the villain Zorg was simple and typical: ‘dandy, nouveau riche, Hitler’.

    31. Romeo and Juliet, 1996
    Baz Luhrmann shook Shakespeare out with a wildly over saturated color scheme, Latin American iconography and MTV generation editing. Style-wise, it set the twitchy, vibrant pace of youth culture TV since.

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    32. The Tribe, 2015
    In a film about a gang of deaf young criminals in an Ukrainian boarding school told entirely in sign, director Myroslav Slaboshpytskiy creates a highly stylized, ever surprising world of visual cues to keep the audience abreast of the story.

    33. Women on the Verge of a Nervous Breakdown, 1988
    Pedro Almodovar’s breakthrough burst into the international scene in a riot of Mediterranean color and a camp, pop art aesthetic that has defined the Spanish auteur’s work since.

    34. Laurence Anyways, 2012
    New Romantics style envelops Xavier Dolan’s transgender story, which unfolds like an epic pop video in the French Canadian writer, director and costume designer’s visionary style.

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    35. Edward Scissorhands, 1990
    Tim Burton’s creative high point and the moment, the Goth finally had his style date with the big screen.

    Credits


    Text Colin Crummy

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